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Showing posts with label <b>Penn Kamp</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Penn Kamp</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Saturday, October 19, 2002</span></h2>

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<st1:personname><span style="color: black; font-family: Arial;">Todd Swift</span></st1:personname><span style="color: black; font-family: Arial;">'s work in the poetry-music duo <a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2002_09_01_ronsilliman_archive.html%2381766519">Swifty
Lazarus</a> allowed us to pose the question of how well intermedia presents
writing <i style="mso-bidi-font-style: normal;">as writing</i>. Now the anthology
he has edited with Philip Norton, <i style="mso-bidi-font-style: normal;"><a href="http://www.rattapallax.com/fusion.htm">Short Fuse</a></i> lets us turn
the question around and ask just how well the printed page can represent poets
whose work is primarily turned towards performance. <o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: Arial;">Short Fuse</span></i><span style="color: black; font-family: Arial;">
is hardly the first book to pose this issue. <i style="mso-bidi-font-style: normal;">The All-Union Day of the Shock Worker</i>, by Edwin Torres (Roof, 2001)
is an in-depth collection by one of the most brilliant performance poets alive,
but I couldn't work through its use of typographic pyrotechnics until I had
actually heard Torres for myself. In ways that are not apparent from the text,
or at least were not to me, that experience opened up the work &#8212; I could <i style="mso-bidi-font-style: normal;">hear</i> it, even in poems that I had not
heard Torres perform.*<o:p></o:p></span></div>
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<span style="color: black; font-family: Arial;">Some of these same issues
bedevil <i style="mso-bidi-font-style: normal;">Short Fuse,</i> but principally
for those poets not represented on the book's companion CD. The disc contains
roughly 70 minutes of work by an exceptionally diverse selection of writers,
from Torres and Bob Holman to Charles Bernstein to Simon Armitage to Billy
Collins.<o:p></o:p></span></div>
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<span style="color: black; font-family: Arial;">But Penn Kemp, to pick one
example, is a superb sound poet &amp; enormous fun to see on stage. Her texts
on the page offer no sense of the extraordinary phonemic overload that comes
with her words. Ditto, tho more in a jazz vein, <span class="SpellE">Adeena</span>
<span class="SpellE">Karasick</span>. <o:p></o:p></span></div>
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<span style="color: black; font-family: Arial;">Even though there are
performance poets whose work can be adequately represented on the page, such as
Holman or Willie <span class="SpellE">Perdomo</span>, <i style="mso-bidi-font-style: normal;">Short Fuse</i> is wise to include the CD even though it only contains
34 of the project&#8217;s 175 writers. But what it points to is the probability that
the future of representing such work may not be on the page, nor on the CD, but
rather in the fuller (tho more costly) medium of DVD<span class="GramE">.*</span>*<o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 10.0pt;">* In retrospect,
this reminds me of something Josephine Miles once said to me about William
Carlos Williams, that writers of her generation literally did not know how to
read him at first, they could not <i style="mso-bidi-font-style: normal;">hear</i>
his poetry, its foundation in speech, which seems self-evident to somebody my
age, was not at all apparent. Yet over a couple of generations, Williams
literally changed what poets understand as &#8220;clarity.&#8221;<o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 10.0pt;">**Indeed, </span><st1:personname><span style="font-family: Arial; font-size: 10.0pt;">Ram Devineni</span></st1:personname><span style="font-family: Arial; font-size: 10.0pt;">, the publisher of Rattapallax Press,
tells me that if the anthology gets a sufficiently positive response, he and
its editors have discussed a bi-annual journal that might come out with a DVD. Rattapallax
already issues a CD with each book it publishes.<o:p></o:p></span></div>
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<h2>Email</h2>
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<li>silliman AT gmail DOT com</li>
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<h2>Silliman Sites</h2>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
<li><a href='http://www.facebook.com/ron.silliman'>Facebook</a></li>
<li><a href='http://www.goodreads.com/search/search%3Fsearch_type%3Dbooks%26search%5Bquery%5D%3Dron%2Bsilliman'>GoodReads</a></li>
<li><a href='http://www.english.illinois.edu/maps/poets/s_z/silliman/silliman.htm'>Modern American Poetry</a></li>
<li><a href='http://writing.upenn.edu/pennsound/x/Silliman.php'>PennSound</a></li>
<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
<li><a href='http://www.poetryfoundation.org/archive/poet.html?id=6323'>Poetry Foundation</a></li>
<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
<li><a href='http://eclipsearchive.org/projects/TOTTELS/'>Tottel's</a></li>
<li><a href='http://twitter.com/ronsilliman'>Twitter</a></li>
<li><a href='http://www.ubu.com/contemp/silliman/index.html'>Ubuweb</a></li>
<li><a href='https://library.ucsd.edu/speccoll/findingaids/mss0075.html'>UC San Diego Archives</a></li>
<li><a href='http://en.wikipedia.org/wiki/Ron_Silliman'>Wikipedia</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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